Representation Upson Edwards
01782 827222

Specialists in Voice Coaches


Film Credits Include
PUFFBALL
AN IDEAL HUSBAND
THE BUTCHER BOY
SCANDAL

Television and Radio Credits Include
The Deep Blue Sea
Cold Blood
To The Ends of the Earth

Theatre Credits Include
AGAINST
ARMS AND THE MAN Director Brigid Larmour
OF MICE AND MEN Director Roxana Silbert
THE NAP Director Richard Wilson
RABBIT HOLE Director Ed Hall
SEVEN BRIDES FOR SEVEN BROTHERS Director Rachel Kavanaugh
OKLAHOMA Director Rachel Kavanaugh
OF MICE AND MEN director Douglas Rintoul
BAREFOOT IN THE PARK director Maureen Lipman
SINGING IN THE RAIN director Jonathon Church
VERDICT director Joe Harmston
GHOST director Matthew Warchus
ROCK 'N ROLL director Trevor Nunn, Royal Court Theatre.
THE ALCHEMIST director Nick Hytner, Royal National Theatre.
HECUBA director Laurence Boswell, Royal Shakespeare Company.
ROMEO AND JULIET Director Tim Carroll, Shakespeare's Globe.
THE PRISONERS DILEMMA director Michael Attenborough, Royal Shakespeare Company.
12 ANGRY MEN director Harold Pinter, Bristol Old Vic.



Charmian Hoare

Areas of Expertise: Voice, Accents

Charmian has been a voice and dialect specialist coaching actors for the past 30 years. She was trained at the Central School of Speech and Drama where she did the teachers course, obtaining a Bachelor of Education degree and then went on to do the Voice course specializing in voice and dialect training.

During her early career she worked at RADA and the Guildhall School of Music and Drama where she helped to train many young actors who have gone on to successful careers. Ewan McGregor, Daniel Craig, Damien Lewis, James Dreyfuss, Orlando Bloom, Daniel Evans, Monica Dolan, Michael Sheen and Natasha Little to name but a few.

She also has a long association with the Royal Shakspeare Company. She worked there full time for a year in 1990 as an assistant to Andrew Wadein the Voice Department and since then has been employed to work on numerous productions both as a voice coach and dialect coach in London and in Stratford. During her time at the RSC not only was she working individually with actors on language and text and vocal technique but also running vocal warm ups and helping actors with the vocal demands of the theatre spaces.

Her theatre work as a dialect coach is extensive and she has worked on productions at the Royal National Theatre, Shakespeare's Globe, The Young Vic, The Almeida theatre, The Royal Court, Royal Exchange theatre Manchester, Chichester Festival Theatre, Birmingham Rep, Salisbury Playhouse and Derby Playhouse. And abroad she has worked for the Theatre for a New Audience, New York and Shakespeare Festival theatre, Stratford Ontario, Canada.
She has also worked extensively in the media of film and television.








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